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PRE-ISLAMIC PERIOD

Notes on the Origin and Development of Writing in Arabia

It is generally thought that writing gradually developed from the human, animal and other figures that prehistoric artists had been depicting on rocks for thousands of years before the first alphabets. Thousands of petroglyphs are located all over
the Arabian Peninsula. To many observers, the various phases of rock art suggest that such images were initially created as an aesthetic activity, but they later became increasingly symbolic and semantic.

Writing was an important means of communication between the Arabian Peninsula and the civilizations of Mesopotamia, Syria and Egypt. Writing is thought to have originated around 3500 BC in Mesopotamia and perhaps originated independently in Egypt as well. The oldest scripts are known as Cuneiform in Mesopotamia and Hieroglyphic in Egypt. These writing systems had developed over time from the
use of pictographs, signs and symbols. The available evidence suggests that writing might have developed in the Arabian Peninsula from the early Sinatic script around 2000 - 1500 BC.

By around 1000 BC two families of ancient writings had developed in the Arabian Peninsula. The one in the north (the North Arabic family) was called Musnad al-Shamali and the one in southern Arabia (the South Arabic family) was called Musnad al-Janubi.

Musnad al-Shamali (North Arabic) spread out around the first millennium BC through northern Arabia, and from this developed the Lihyanite, Safaitic and Aramaic writing systems, which flourished in the north of Arabia around the middle of the first millennium BC. From Aramaic Nabataean script and from Nabataean, Arabic writing developed.

Meanwhile the use of South Arabic forms of writing also expanded, and developed into the Sabaean, Qatabani, Hadrami, and Hassanean scripts.
With the rise of Islam, Arabic spread all over the region, both north and south, and the more ancient writing forms vanished. Thus none of these other writing systems has been in common use in Arabia for around 1,400 years.

ARAMAIC INSCRIPTIONS

DESCRIPTION

TRANSCRIPTION

TRANSLATION

This incense burner bears one of the Aramaic inscriptions within the "Pre-Islamic Epigraphy" collection of the National Museum of Saudi Arabia.The insciption consists of six lines,
written from top to bottom, and is inscribed on an incense burner.

m ha r n a d ya
q r b th j a'in l ha
b r a r sh
b r n ha a l
x x x l h ya ya
(n j a'in l) ha w n f sh
(a kh r t ha)

This incense burner is presented by Naja al bin Arshan bin Nah'alfor his and his family's favor.


DESCRIPTION

This incense burner bears one of the Aramaic inscriptions within the "Pre-Islamic Epigraphy" collection of the National Museum of Saudi Arabia.The insciption consists of six lines,
written from top to bottom, and is inscribed
on an incense burner.

TRANSCRIPTION

m ha r n a d ya
q r b th j a'in l ha
b r a r sh
b r n ha a l
x x x l h ya ya
(n j a'in l) ha w n f sh
(a kh r t ha)

TRANSLATION

This incense burner is presented by Naja al bin Arshan bin Nah'alfor his and his family's favor.


GREEK INSCRIPTIONS

DESCRIPTION

TRANSLITERATION

TRANSLATION

This kind of incised stone is know by the Greek word stele (Greek plural stelai; cf. Latin stela, Latin plural stelae), an upright stone incised with an inscription and used as a monument or marker. This stele found in a well near the Nabataean tombs at Mada'in Salih in northern Saudi Arabia, has an inscription in Greek. This reflects the Greco-Roman influence in the Arabian peninsula's history. The presence of this stone implies that Mada'in Salih was a part of Roman Arabia.  This incense burner bears one of the Aramaic inscriptions within the "Pre-Islamic Epigraphy" collection of the National Museum of Saudi Arabia.

T u ch ê
B o st r ôn
A d r i an o s
z ô g r a
ph o s s u n
l e g. | | |
K u

"To the Fortune [Tyche] of Bostra / Hadrian [Adrianos], a painter with the Third Cyrenaican Legion, [set this up.]"

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DESCRIPTION

This kind of incised stone is know by the Greek word stele (Greek plural stelai; cf. Latin stela,
Latin plural stelae), an upright stone incised
with an inscription and used as a monument
or marker. This stele found in a well near the Nabataean tombs at Mada'in Salih in northern Saudi Arabia, has an inscription in Greek.
This reflects the Greco-Roman influence in
the Arabian peninsula's history. The presence
of this stone implies that Mada'in Salih was
a part of Roman Arabia.  This incense burner bears one of the Aramaic inscriptions within
the "Pre-Islamic Epigraphy" collection of the National Museum of Saudi Arabia.

TRANSLITERATION

T u ch ê
B o st r ôn
A d r i an o s
z ô g r a
ph o s s u n
l e g. | | |
K u

TRANSLATION

"To the Fortune [Tyche] of Bostra / Hadrian [Adrianos], a painter with the Third Cyrenaican Legion, [set this up.]"

VIEW DISCUSSION

SABAEAN INSCRIPTIONS

DESCRIPTION

This large pre-Islamic inscription is depicted on a rock near a well in southern Arabia and consists of ten lines. It is popularly known as "the inscription of Abraha." The inscription is still in its original location; a replica is on display in the museum.

TRANSLITERATION

b kh ya l / r h m n n / w m s ya h ha /
m l k n / a b r ha / z ya b m n / m l k / s b a /
w z r ya d n / w h dh r m d t

TRANSCRIPTION

B'khail / ar-rahman / wmaseeha /
malikan / Abraha / Zaybm / malik /
sab'a / w zarydan / w hadarmaut

TRANSLATION

This large pre-Islamic inscription is depicted on a rock near a well in southern Arabia and consists of ten lines. It is popularly known as "the inscription of Abraha." The inscription is still in its original location; a replica is on display in the museum.

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DESCRIPTION

This large pre-Islamic inscription is depicted on
a rock near a well in southern Arabia and consists of ten lines. It is popularly known as
"the inscription of Abraha." The inscription is
still in its original location; a replica is on
display in the museum.

TRANSLITERATION

b kh ya l / r h m n n / w m s ya h ha /
m l k n / a b r ha / z ya b m n / m l k / s b a /
w z r ya d n / w h dh r m d t

TRANSCRIPTION

B'khail / ar-rahman / wmaseeha /
malikan / Abraha / Zaybm / malik /
sab'a / w zarydan / w hadarmaut

TRANSLATION

This large pre-Islamic inscription is depicted on a rock near a well in southern Arabia and consists of ten lines. It is popularly known as "the inscription of Abraha." The inscription is still in its original location; a replica is on display in the museum.

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THAMUDIC
(Musnad al Shamili)
1500 BC - 4th/3rd c. BC

THAMUDIC
(Musnad al Shamali)
Thamudic script is the most ancient Arabian script. The script was used from about 1500 BC to the 4th or 3rd century BC. Stones inscribed with Thamudic script are generally found in northern Saudi Arabia but have been found from many parts of the Arabian Peninsula. Stones inscribed with Thamudic script form the largest part of the Museum's epigraphic collections.This script consisted of 28 letters and was written left-to-right, right-to-left, or top-to-bottom.
LIHYANITE
Lihyanite writing was common among the Lihyan tribes of northern Saudi Arabia. It is similar to the Thamudic script and consisted of 28 letters. Its use is attributed to 6th to 4th century BC.

LIHYANITE
6th - 4th c. BC

SAFAITIC
Safaitic inscriptions are mostly found in the north of Saudi Arabia and are attributed to 3rd–2nd century BC. Safaitic tribes settled in the north of the country and left thousands of their Inscriptions on the rocks and hills. This script consisted of 28 letters and was written from left to right or right to left.

SAFAITIC
3rd - 2nd c. BC

MUSNAD AL  JANUBI
This script was mostly used in the south of Arabia and is attributed to the first millennium BC. It later spread to north and found mostly on the ancient trade routes. It consisted of 29 letters and is written in a monumental style.

MUSNAD AL  JANUBI
First Millennium BC

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ISLAMIC PERIOD

Aramaic script existed in the north of Arabian Peninsula from which developed various branches of writings interconnected with each other, such as Nabataean & Neo-Semitic, from which later developed Arabic writing. With the advent of Islam and the Holy Qu'ran in the Arabic language, Arabic developed and was spread more rapidly all over the Arabian Peninsula and the Islamic world.
The art of Arabic writing has long been associated with Islamic art and calligraphy. There were special schools that taught Arabic calligraphy. Arabic calligraphy is unique in the world due to its complexity and beauty, allowing for a great range of artistic creativity.Archeologists and historians depend heavily on the study of writings found on rocks, inscribed building stones or markers, and on the rock faces of hillsides. Such inscriptions provide valuable insight into the history, culture and social values of the early Islamic period.
The first school of Arabic writing and calligraphy developed in the two Holy cities of Makkah and Medinah. The two well known scripts which were developed in Makkah and Medina were known as Makki and Madani scripts. These appeared long before the Kufi script and during the first century Hegra; the Arabic was written in two different styles known as Hard Kufi and Soft Kufi. The present form of Arabic writing with dots and signs developed around 2nd century Hegra (8th century AD).

After a period Arabian calligraphy developed further and decorations were added to the text. Many examples of this development are found in the form of foundations of milestones (on the pilgrimage routes), dams, forts, castles, watch towers, mosques, tombstones (name of persons, and the dates of death of people inscribed)—as well as Quranic verses and poetry. These inscriptions also provide us with the evidence of the development of Arabic writing, the art of calligraphy, and the decorative patterns in different periods. In addition, the examination of these objects gives us valuable insight into the history of the people.The archaeologists and historians depend heavily on the inscriptions engraved on the rocks and hills, which provide valuable

COLLECTIONS

KUFI 1
KUFI 2
Naskh
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